Saxophonist Joe Lovano and the Marcin Wasilewski Trio are in an especially adventurous spirit on Homage, their second album for ECM.
~ Courtesy of DL Media Music
“The music throughout the week was unfolding every night in a very special way. So when we went into the studio, we were able to capture an exceptional, concentrated five-hour moment.” — Joe Lovano
Joe Lovano and his Polish conspirators from the Marcin Wasilewski trio are in an especially adventurous spirit on their second joint endeavour for ECM. Building on the lyrical strengths that inhabited the group’s previous recording (Arctic Riff, 2020), on Homage the quartet moreover investigates the type of free-flowing interplay and expansive passages of improvisation that have become a staple in Lovano’s ventures with his trio tapestry group and elsewhere. The album was recorded at a studio session in the midst of the group’s Village Vanguard residency in late Autumn 2023, revealing fluent structures as they’re being developed. A rare sense of expressivity and spiritual affinity grace the session.
Clocking in at over ten minutes each, two long-form compositions and the title track “Homage” – all Lovano originals – make up the bedrock of the album and find the players at their most exploratory, with Joe frequently swapping out his tenor and tárogató for a variety of percussion instruments – “Just a handful of gongs and some light percussion sounds,” notes Lovano. “It’s so nice to communicate with Michael [Miskiewicz] on drums – in the studio it felt like we were one!”
Reigniting the spark in the studio was no difficult task for the quartet, as they’d toured extensively since their first album. “We connected with Joe right from the start,” the trio recalls. “It was natural. He’s the kind of musician who jumps into the moment and plays along with whatever he hears, which matches how we approach music. Touring together over the years only made this connection stronger, both on and off stage. His openness and spontaneity allowed real musical dialogue to happen.”
Joe originally wrote “Homage”, the title track, for the 2023 ECM celebration at the Elbphilharmonie in Hamburg, celebrating Manfred Eicher’s 80th birthday alongside A-listers Dave Holland, Anouar Brahem, Ralph Towner, Norma Winstone and many more. There, Lovano performed the composition in quartet with Avishai Cohen, Tigran Hamasyan and Nasheet Waits. “The piece is dedicated to Manfred and the label’s history. I grew up listening to ECM recordings, because those were the cats that I wanted to play with, and it turned out to be the music that gave me a lot of direction.” In putting the score together, Lovano “used no notes – just feelings written in a sequence of events”. Not strictly tonal, Lovano and Marcin’s trio shift between different keys throughout the song, alternating pulse and rhythm in the process and revealing Lovano’s deep connection with the music of conductor and composer Gunther Schuller, and by extension of Jimmy Giuffre and George Russell.
“Golden Horn”, one of the two lengthier pieces, is a modal meditation that finds the tides shifting smoothly between the players. Miskiewicz’s pulse is elegantly uncompromising, as he and Slawomir Kurkiewiczon bass keep a steady backdrop against Wasilewski and Lovano’s dauntless explorations through the bars. The interaction is reminiscent of what the trio used to sound like accompanying the great late Tomasz Stanko on the trumpeters ECM recordings in the early 2000s (the archival live recording from 2004, September Night was just released in 2024).
Even more spontaneity and freedom grace the twelve-minute cut “This Side – Catville”, as the quartet embarks on a freewheeling blowout through swinging bars and again modal harmonic shifts – exemplary of each players heightened intuition for responsive interplay. Wasilewski’s keyboard flights move like ripples in the water, his soft-spoken action shaping an effective contrast against Lovano’s sharply overblown and melodically intricate jabs. “We really love to follow Joe’s spontaneous free approach in playing,” says Marcin, also speaking for his bandmates. “But it’s always rooted in the tradition at the same time. Combining these two elements in our own sense of music became more expressive recently.”
The group’s pass at “Love In The Garden”, a composition by the Polish violinist Zbigniew Seifert, embellishes the evocative ballad with fluid harmonies, wrapped in a rubato pulse. Marcin: “It was a spontaneous choice – no discussion about how or what to play. We just went for it, and the music unfolded naturally.” It’s a surprising and tasteful take on the rather electric original from the 70s, but, as Joe notes, “the thing is to not play something the way it looks but to try and create it as you play, you know. And playing ballads, that’s the heart and soul, really, of the music.”
Improvised miniatures complete a programme that proves Wasilewski and his trio cohorts to be the ideal match for Lovano’s singular musings and the group’s flawless chemistry is more apparent than ever on Homage. Recorded at the Van Gelder studio in New Jersey and mixed at Bavaria Musikstudios in Munich, the album was produced by Manfred Eicher.
