Essentials: Arcade Fire ‘The Suburbs’ Album Review

Phil Spector once compared his hit single records to “little symphonies for the kids”, and by that remark he was demeaning neither his intended audience nor the processes of composing and production. Some of those kids of the Spector era such as Ray Davies, Bruce Springsteen and Neil Young grew up to make records of their own, stretching out musical themes to album-length explorations of adult concerns.

In the past two or three decades, however, popular music reverted to the hit parade though over the past two or three years the thematic approach has been gaining ground, notably with the Canadian group Arcade Fire. In Suburbs,  their third album, the group created their most sophisticated and ambitious work – replete with string arrangements, French horns, and saxophones, backed by the sledgehammer propulsion of some of the most hard-driving drumming in indie rock music. No wonder David Byrne declared himself a fan.

Chief writer Win Butler has been quoted as saying the album sprang from two sources: his memories of growing up on the outskirts of Houston, Texas, as well as his current perception of the post 9/11 decay in modern American cities. Not exactly what the record business is looking for these days to restore its lustre. The 16 tracks that clock in at slightly over an hour are off-putting to the iTunes generation which revels in listening to one tune at a time, then going on to another artist. So the group has definitely gone against the grain in this recording, as it is specifically constructed to be listened to in its entirety. Not that there aren’t some great individual tracks on the record: the title song with its lyrical hook “Sometimes I can’t believe it, I’m moving past the feeling”, and “Modern Man”, a song that recalls The Kinks’ 1971 cut “Twentieth Century Man” from the Muswell Hillbillies album, as well as the gorgeous “Suburban War” all definitely stand on their own.

This is a fine piece of work from a major band. Yes, it brings to mind some of the great work from past musical artists, those works being The River and Trans and Stop Making Sense, but with The Suburbs Arcade Fire has forged something new and lasting.

Brian Miller

Brian Miller is the Publisher and Editor of Vivascene, which he founded in 2010. A former record store owner, business executive and business writer, he is devoted to vinyl records, classical guitar, and b&w photography.

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